Ngĕng: Penerapan Rasio Interval Pada Sumber Bunyi Non Pitch
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Institusion
Institut Seni Indonesia Yogyakarta
Author
Penumbra, Sambung
Subject
Komposisi Musik
Datestamp
2024-01-24 03:52:32
Abstract :
This research intends to find out how to integrate noise and sound from non- pitch sound sources through a DAW (Digital Audio Workstation). The focus of the discussion is on the application of interval ratios which will later be arranged into harmony using equal temperament interval ratios to obtain 'tones' so that they can be composed into tonal musical works. The purpose of this study is to find out how the nuances of harmony are felt when the sound used comes from a non-pitch sound source and how relevant the principle of tonality is during the creation of works. To find out, interview methods and work analysis were carried out. The results show that respondents hear the impression of harmony in the work, while the impression of timbre weakens when the listener focuses on the fundamental frequency aspect with a strong amplitude. In the context of this work, not all of the tonality principles are relevant. Keywords: Layering, Sound Design, Noise, Equal Temperament, Tonal
This research intends to find out how to integrate noise and sound from non- pitch sound sources through a DAW (Digital Audio Workstation). The focus of the discussion is on the application of interval ratios which will later be arranged into harmony using equal temperament interval ratios to obtain 'tones' so that they can be composed into tonal musical works. The purpose of this study is to find out how the nuances of harmony are felt when the sound used comes from a non-pitch sound source and how relevant the principle of tonality is during the creation of works. To find out, interview methods and work analysis were carried out. The results show that respondents hear the impression of harmony in the work, while the impression of timbre weakens when the listener focuses on the fundamental frequency aspect with a strong amplitude. In the context of this work, not all of the tonality principles are relevant. Keywords: Layering, Sound Design, Noise, Equal Temperament, Tonal
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