GARAP REBAB GLENDÈH, GENDHING KETHUK 4 KEREP MINGGAH 8, KALAJENGAKEN LADRANG GLENDÈH LARAS PELOG PATHET LIMA
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Institusion
Institut Seni Indonesia Surakarta
Author
Widhayana, Wahyu
Subject
Karawitan
Datestamp
2019-12-16 03:47:35
Abstract :
This thesis presents and analyzes the work of the Glendèh gendhing rebab with a sequence of gending vocabulary: Gendhing Glendèh kethuk sekawan kerep minggah wolu, kalajengaken Ladrang Glendeh. the two problems raised in this thesis are; (1) Why does gendhing Glendèh worked? (2) How about gendhing Glendèh when serving kosèk alus ?. These two problems are examined based on the concept of working on, the concept of pathet, and the concept really. The method used is orientation, observation, exploration, improvisation, and evaluation. Research data were collected through literature studies, observations and interviews with musical artists and also musical lecturers. The results showed that by interpreting the source of the pathet, to find the same work on the gendhing Bontit and Danaraja, then applying it to the gendhing Glendèh, the gending became a gending which had creative and unique processing weights. coupled with the discovery of new cultivation by applying the manyura cangokok to the tuning settings of the 5 and 1 tones, then the workmanship is a new thing in the vocabulary work, especially the work on the rebab.
This thesis presents and analyzes the work of the Glendèh gendhing rebab with a sequence of gending vocabulary: Gendhing Glendèh kethuk sekawan kerep minggah wolu, kalajengaken Ladrang Glendeh. the two problems raised in this thesis are; (1) Why does gendhing Glendèh worked? (2) How about gendhing Glendèh when serving kosèk alus ?. These two problems are examined based on the concept of working on, the concept of pathet, and the concept really. The method used is orientation, observation, exploration, improvisation, and evaluation. Research data were collected through literature studies, observations and interviews with musical artists and also musical lecturers. The results showed that by interpreting the source of the pathet, to find the same work on the gendhing Bontit and Danaraja, then applying it to the gendhing Glendèh, the gending became a gending which had creative and unique processing weights. coupled with the discovery of new cultivation by applying the manyura cangokok to the tuning settings of the 5 and 1 tones, then the workmanship is a new thing in the vocabulary work, especially the work on the rebab.
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