SINDHENAN GARAP MRABOT GENDHING TEJA ARUMLARAS SLENDRO PATHET SANGA
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Institusion
Institut Seni Indonesia Surakarta
Author
Ekasari, Leny Nur
Subject
Karawitan
Datestamp
2019-12-17 08:12:22
Abstract :
This art thesis was created with the aim to describe and analyse sindhènan mrabot Teja Arum laras sléndro pathet sanga with the series of gending: jineman Tatanya, Teja Arum gendhing kethuk kalih kerep minggah sekawan, ladrang Gandariya, pathetan Jingking, ayak-ayak wiled kaseling lagon Soyung, srepeg, and palaran Sinom Wenikenya garap langendriyan. The writing of this thesis is also adapted to the concept of tradition gending presentation as the final task. The issues presented in this study include: (1) Why Teja Arum presented mrabot? (2) How the garap sindhènan of each gending? Both point are analyzed based on the concepts and thoughts about garap and sindhènan karawitan espescially Surakarta style. This type of research is a qualitative descriptive. The work method starts from designing works, determining the source and data type, and then collecting the data. Data collection techniques that are conducted among others, the study of the library, observation either directly or indirectly, also interviews. After the data is collected, data analysis and reduction are performed. The research results obtained that mrabot is a series of gending with a variety of shapes and characters but still has the same plot with the aim of making variety musical dramatic. In addition, sindhènan in mrabot based on variety of shapes and characters of each gending, produces a series of variety character or rasa gending, but still in a complete unity. It has an effect on placing wangsalan and abon-abon, choosing céngkok and wiledan, and angkat-sèlèh sindhènan.
This art thesis was created with the aim to describe and analyse sindhènan mrabot Teja Arum laras sléndro pathet sanga with the series of gending: jineman Tatanya, Teja Arum gendhing kethuk kalih kerep minggah sekawan, ladrang Gandariya, pathetan Jingking, ayak-ayak wiled kaseling lagon Soyung, srepeg, and palaran Sinom Wenikenya garap langendriyan. The writing of this thesis is also adapted to the concept of tradition gending presentation as the final task. The issues presented in this study include: (1) Why Teja Arum presented mrabot? (2) How the garap sindhènan of each gending? Both point are analyzed based on the concepts and thoughts about garap and sindhènan karawitan espescially Surakarta style. This type of research is a qualitative descriptive. The work method starts from designing works, determining the source and data type, and then collecting the data. Data collection techniques that are conducted among others, the study of the library, observation either directly or indirectly, also interviews. After the data is collected, data analysis and reduction are performed. The research results obtained that mrabot is a series of gending with a variety of shapes and characters but still has the same plot with the aim of making variety musical dramatic. In addition, sindhènan in mrabot based on variety of shapes and characters of each gending, produces a series of variety character or rasa gending, but still in a complete unity. It has an effect on placing wangsalan and abon-abon, choosing céngkok and wiledan, and angkat-sèlèh sindhènan.
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