GARAP SINDHÈN: LARAS TÉJA, AYAK-AYAK
JALUMAMPANG DAN PLAYON DALAM
RANGKAIAN MRABOT
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Institusion
Institut Seni Indonesia Surakarta
Author
Kusumaningrum, Anis
Subject
Karawitan
Datestamp
2019-12-18 04:28:20
Abstract :
ABSTRACT This thesis is a description of the research-based performance on the line of sindhènan in the structure of gending mrabot consisting of Jineman ÉmanÉman, Laras Téja gendhing Kethuk 2 kerep Minggah 4, Ladrang Arga Lagu and Ayak-ayak Jalumampang. As for the main problems are presented in this paper are: 1) How is the sindhènan in each form of the gending? 2) How the placement of wangsalan and abon-abon in the gending? Based on the issues are raised, some concepts such as concepts of sindhènan, the concept of pathet and the concept of the garap are also used as an analysis tools to answer the main problems and find out the result. The method of this work begins with making a work of art, determining the type of data and searching for data sources. The collecting of data techniques carried out by literature study, observation and interview. The result of this data collection will be analyzed and presented as the report of the study. The result in this paper in detail include: 1) working on pathet, 2) working on wangsalan and abon-abon, 3) working angkat sèlèh and 4) and the variations of the series on the gending of mrabot are analyzed. Generally, sindhènan in the Surakarta karawitan style is one of the important factors to form the integrity of the impression of the musical taste and the character of the gending which is presented. The sense of musical taste and character is closely related with the selection of céngkok and wiledan that corresponds to the character of the gending which is presented. Keywords: sindhènan, gending and mrabot
ABSTRACT This thesis is a description of the research-based performance on the line of sindhènan in the structure of gending mrabot consisting of Jineman ÉmanÉman, Laras Téja gendhing Kethuk 2 kerep Minggah 4, Ladrang Arga Lagu and Ayak-ayak Jalumampang. As for the main problems are presented in this paper are: 1) How is the sindhènan in each form of the gending? 2) How the placement of wangsalan and abon-abon in the gending? Based on the issues are raised, some concepts such as concepts of sindhènan, the concept of pathet and the concept of the garap are also used as an analysis tools to answer the main problems and find out the result. The method of this work begins with making a work of art, determining the type of data and searching for data sources. The collecting of data techniques carried out by literature study, observation and interview. The result of this data collection will be analyzed and presented as the report of the study. The result in this paper in detail include: 1) working on pathet, 2) working on wangsalan and abon-abon, 3) working angkat sèlèh and 4) and the variations of the series on the gending of mrabot are analyzed. Generally, sindhènan in the Surakarta karawitan style is one of the important factors to form the integrity of the impression of the musical taste and the character of the gending which is presented. The sense of musical taste and character is closely related with the selection of céngkok and wiledan that corresponds to the character of the gending which is presented. Keywords: sindhènan, gending and mrabot
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