SANG HYANG PUGUH ANTAGA
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Institusion
Institut Seni Indonesia Surakarta
Author
Sedayu, Dimas Agung
Subject
Pedalangan
Datestamp
2020-12-23 01:18:03
Abstract :
SANG HYANG PUGUH ANTAGA (Dimas Agung Sedayu 2019), thesis study Program S-l majoring in the Faculty of Performing Arts, Indonesian Institute of Art (lSI) Surakarta. This art thesis takes the title of Sang Hyang Puguh Antaga is a work of creativity on the idea of interpreting the problem of fierce figures with the concept of solid Pakeliran. The complexity of the disclosure of Antaga's inner problems, the foreshadowing of the victory and pride of Antaga's character is revealed through the Sa bet, chess, and the accompaniment of the Pakeliran in his presentation. This research is a qualitative study with an approach to action Participations Reseacrh with the concept of solid-exposure Sudarko in his book that mentions solid Pakeliran which means it does not display the whole of the Lakon Balungan and only Shows important scenes. Summarizes the narrative in each scene, although solid Pakeliran also remains oriented to the rules of the overnight allowance The results obtained after conducting this research are the form of character Antaga, the form of Sabet, chess and new sanggit in the Lakon Sang Hyang Puguh Antaga, further explanation about the figure of Antaga, and the elements of the line In the concept of the pact of Sang Hyang Puguh Antaga.
SANG HYANG PUGUH ANTAGA (Dimas Agung Sedayu 2019), thesis study Program S-l majoring in the Faculty of Performing Arts, Indonesian Institute of Art (lSI) Surakarta. This art thesis takes the title of Sang Hyang Puguh Antaga is a work of creativity on the idea of interpreting the problem of fierce figures with the concept of solid Pakeliran. The complexity of the disclosure of Antaga's inner problems, the foreshadowing of the victory and pride of Antaga's character is revealed through the Sa bet, chess, and the accompaniment of the Pakeliran in his presentation. This research is a qualitative study with an approach to action Participations Reseacrh with the concept of solid-exposure Sudarko in his book that mentions solid Pakeliran which means it does not display the whole of the Lakon Balungan and only Shows important scenes. Summarizes the narrative in each scene, although solid Pakeliran also remains oriented to the rules of the overnight allowance The results obtained after conducting this research are the form of character Antaga, the form of Sabet, chess and new sanggit in the Lakon Sang Hyang Puguh Antaga, further explanation about the figure of Antaga, and the elements of the line In the concept of the pact of Sang Hyang Puguh Antaga.
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