REPRESENTATION OF MADURESE CULTURE IN FILM SEMESTA MENDUKUNG DIRECTED BY JOHN DE RANTAU
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Institusion
Universitas Panca Marga
Author
Hidayati, Tutik Nur
Subject
Fakultas Sastra dan Filsafat
Datestamp
2023-06-23 03:47:19
Abstract :
This research is about Madurese culture whic is in film Semesta Mendukung. Madura has a diverse culture that exists because of the customs of the Madurese community which over time begins to fade due to the increasingly advanced era.Therefore, this research has two objectives, namely, to find out the meaning of sign and the representation of Madurese culture in film Semesta Mendukung. The scope of this research is cultural studies that use semiotic theory byCharles Sanders Peirce. The limitation of this research is the pictures and the dialogues that show the cultures of Madurese society. This study uses semiotic theory with Charles Sanders Peirce's semiotic model, namely the triadic model or triangel meaning consist of representament, object, and interpretant.The three things will continue to be connected, continuous and infinite, and it is called infinite semiosis. This research also includes other thesis which has the same object, topic, and theory. This research uses qualitative method.This study uses textual analysis based on the type of qualitative method selected. Therefore, to complete this research, there are data that are divided into two, namely primary data and secondary data. Primary data consist of pictures and dialogues from filmSemesta Mendukung as data source and secondary data is the data from some books, thesis, and journals. This researh have two results, first, the meaning of sign of Madurese culture in film Semesta Mendukung, consists of the meaning kerapan sapeh as a sign, the meaning of Madurese traditional clothes as a sign, the meaning of legacy of the ancestor as a sign, the meaning of straigforward and spontaneous nature of Madurese as a sign and the meaning of religious system as a sign. Second, the representation of Madurese culture in film Semesta Mendukung that shows the Madurese community has three main things that serve as their identity. It consists of representation of their culture as a strong people, as an egalitarian people, and as a religious people.Strong people show their nature who do not give up easily and hard workers. Egalitarian people show the open nature of them. Religious people show their nature who are obedient to the religion they believe in, namely Islam.
This research is about Madurese culture whic is in film Semesta Mendukung. Madura has a diverse culture that exists because of the customs of the Madurese community which over time begins to fade due to the increasingly advanced era.Therefore, this research has two objectives, namely, to find out the meaning of sign and the representation of Madurese culture in film Semesta Mendukung. The scope of this research is cultural studies that use semiotic theory byCharles Sanders Peirce. The limitation of this research is the pictures and the dialogues that show the cultures of Madurese society. This study uses semiotic theory with Charles Sanders Peirce's semiotic model, namely the triadic model or triangel meaning consist of representament, object, and interpretant.The three things will continue to be connected, continuous and infinite, and it is called infinite semiosis. This research also includes other thesis which has the same object, topic, and theory. This research uses qualitative method.This study uses textual analysis based on the type of qualitative method selected. Therefore, to complete this research, there are data that are divided into two, namely primary data and secondary data. Primary data consist of pictures and dialogues from filmSemesta Mendukung as data source and secondary data is the data from some books, thesis, and journals. This researh have two results, first, the meaning of sign of Madurese culture in film Semesta Mendukung, consists of the meaning kerapan sapeh as a sign, the meaning of Madurese traditional clothes as a sign, the meaning of legacy of the ancestor as a sign, the meaning of straigforward and spontaneous nature of Madurese as a sign and the meaning of religious system as a sign. Second, the representation of Madurese culture in film Semesta Mendukung that shows the Madurese community has three main things that serve as their identity. It consists of representation of their culture as a strong people, as an egalitarian people, and as a religious people.Strong people show their nature who do not give up easily and hard workers. Egalitarian people show the open nature of them. Religious people show their nature who are obedient to the religion they believe in, namely Islam.
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COVER SKRIPSI TUTIK NUR HIDAYATI.pdf
TABLE OF CONTENTS TUTIK NUR HIDAYATI.pdf
ABSTRACT TUTIK NUR HIDAYATI.pdf
CHAPTER I TUTIK NUR HIDAYATI.pdf
CHAPTER II TUTIK NUR HIDAYATI.pdf
CHAPTER III TUTIK NUR HIDAYATI.pdf
CHAPTER IV TUTIK NUR HIDAYATI.pdf
CHAPTER V TUTIK NUR HIDAYATI.pdf
BIBLIOGRAPHY TUTIK NUR HIDAYATI.pdf
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